In fourth-century North Africa, peasant girl Leona falls in love with a Roman aristocrat – the future Saint Augustine. Their story unfolds against the backdrop of Rome’s fall and Christianity’s rise. Drawn from Augustine’s autobiography, The Saint’s Mistress breathes life into the previously untold story of his beloved mistress.
Actions by others, subjectively perceived by me, lead me to conclude (assume) the ‘state of their subjective love’.